The Absurdity of Consumeristic Truth :: Essays Papers

The Absurdity of Consumeristic Truth Envision a world without a God, where substantial articles and encounters, for example, attire and film watching have come to characterize and satisfy a whole society. Envision a culture coming up short on any philosophical truth, where every individual is running fiercely about in their disconnected calendars, gathering solace and love from any lifeless thing that can give such, in whatever shape or structure. Envision a reality where defective people go to themselves in the quest for flawlessness, and a definitive wellspring of flawlessness is glaringly denied for the basic explanation that it is too impeccable to be in any way comprehended. Such is the world as indicated by Camus, such is the world that encompasses those that put stock in an ideal God, and such is the American world where you and I live. If one somehow managed to comprehend the reason and puzzle of human life as the adapting to extreme dread, regardless of whether it be demise, torment, or uselessness, at that point it is conceivable to examine the definitely unique methods for dealing with stress that Camus and Christianity put forward. Both present a technique in which to move toward the wonder of dread, yet with regards to completing an answer for the puzzle, they go to totally different closures. The outcome is a general public that has been left even more confounded, and has gone to the two arrangements so as to manage the staggering trepidation and essential absence of truth that is common in today’s post-futuristic way of thinking. Of the numerous topics and methods of reasoning that Camus battled with during his life and introduced to the world through his compositions, one of the more pervasive was that of the silly. As indicated by Camus, the world, human presence, and a God are for the most part preposterous marvels, without any reclaiming significance or reason. Through Mersaults’ revelation in The Stranger, where he opens himself to the â€Å"gentle lack of interest of the world†, we perceive how Camus comprehends the world to be a position of nothingness, which requests and wants nothing from people. He further investigates this way of thinking in The Plague, where the universe of aloofness is comprehended as a universe of dread, which takes an emblematically unmistakable structure in the plague itself. In The Plague the residents of Oran dread what they can't control, comprehend or battle. They are confronted with the most major encounters of life and passing, and it is just at long last t hat a not many figure out how to adapt to and comprehend these two ultimatums.